By Carla Ambrósio Garcia
In Bion in movie concept and research: The Retreat in Film, Carla Ambrósio Garcia introduces the wealthy strength of the contemplating British psychoanalyst Wilfred Bion for movie idea. via so doing, she rethinks the distance of the cinema as an area of retreat, and brings new insights into the illustration of retreat in film.
Presented in elements, the publication seeks to deepen our knowing of the movie adventure and psychical progress. half I areas Bion’s view at the value of the epistemophilic intuition on the middle of a critique of the pleasure-centred theories of the cinematic gear of Jean-Louis Baudry, Christian Metz and Gaylyn Studlar, presenting an concept of cinema as ‘thoughts looking for a thinker’. Garcia then strikes from Bion’s epistemological interval to his later paintings, which attracts on mysticism, on the way to posit an emotional adventure within the cinema by which the topic could be or develop into genuine (or at one with ‘O’). half II examines representations of retreat in 4 ecu movies, directed by means of Ingmar Bergman, Pier Paolo Pasolini, Georges Perec and Bernard Queysanne, and Manoel de Oliveira, displaying them to articulate a gesture of retreat as an emotionally turbulent transitional degree within the improvement of the psyche – what Bion conceptualizes as caesura.
Through its research of the retreat in cinema, the publication demanding situations universal understandings of retreat as a regressive stream via providing it as a gesture and area which may even be future-oriented. Bion in movie thought and research will be of vital curiosity to lecturers and scholars of psychoanalysis, psychotherapy, and movie and media stories, in addition to psychoanalysts and psychotherapists.
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Extra info for Bion in Film Theory and Analysis: The Retreat in Film
Bion in Film Theory and Analysis: The Retreat in Film by Carla Ambrósio Garcia